Review of the film SINISTER (2012) by Nick
Anderson
“Don’t worry daddy…I’ll make you famous
again.”
In “Sinister”, Ellison Oswalt (Ethan
Hawke), a true crime writer, moves with his family into a home where a horrific
murder took place. Oswalt is hoping to resurrect his flagging career by writing
a new bestseller about the case. He discovers a mysterious box in the attic
that contains several Super 8 tapes. Each tape features grainy footage of a
family being murdered. In each instance, the parents and an older child are
killed but a younger child is nowhere to be found. As his research into the
case progresses, Oswalt realizes that a
pagan deity named Bagul may be behind the killings. Meanwhile, his wife Tracy
(Juliet Rylance) and son Trevor (Michael Hall D’Addario) grow increasingly
nervous about their new home. Ellison’s daughter Ashley (Clare Foley) tells him
about a mysterious girl that she sees traipsing around the house. Oswalt soon
starts to experience terrifying visions of the ghosts of the missing children, as
well as of Bagul himself.
“Sinister” utilizes both conventional
cinematography and the “found footage” style popularized by “The Blair Witch
Project” and the “Paranormal Activity” series. The film’s creepiest moments are
found in the eerie home videos depicting the demises of Bagul’s past victims.
Although the tree hanging is memorable, the one that I found the creepiest
involved a family being drowned. Each member of the family is strapped to a
lawnchair and then plunged into a pool one by one. Imagine being tied down,
completely helpless, listening to the rest of your family drown and knowing that
you are about to meet the same fate.
Bagul is an interesting villain. He is an
ancient Babylonian deity who uses images of himself to travel from his world to
ours. As long as pictures of him exist, he can use them as portals to attack
more victims. Bagul is able to possess people and manipulate them into performing
horrific acts, similar to the demons found in many other horror films. He also preys
on children and steals their souls, similar to characters like Pennywise and
Freddy Krueger.
Like most horror movies, “Sinister” does
not feature any standout performances. Hawke and the rest of the cast are
serviceable. They are good enough to get the job done, and that’s usually all a
horror film needs.
The film relies too much on jump scares at
times. Having a ghost (or an evil ancient pagan deity) suddenly appear out of
nowhere is always a good way to get a cheap jolt out of the audience, but it
only works once. Truly creepy horror movies are still effective after multiple
viewings. Director Scott Derrickson does
a solid job of building a sense of tension and dread. He didn’t need to include
so many jump scares.
The film’s relentlessly bleak ending is
harsh even by horror movie standards, but it’s the only logical way for the
film to conclude. There is no quick fix or cheap resolution. The final scene suggests
the possibility of a sequel, and the film’s box office success makes this seem
likely. Perhaps Bagul will someday be regarded as an iconic villain.
“Sinister” is a solid choice for those
looking for a dark, creepy horror movie. It’s more original than most recent
genre offerings. In an added bonus, it’s not a remake, a sequel, or a reboot.
Rating: 7/10
No comments:
Post a Comment